Tweet
https://youtu.be/e4Szpx6TX10
New Mantra:"Available Dynamic Range Is Your Friend " This applies to Immersive Audio and Projectors!
Forget about expanding the dynamic range automatically or even in grading suites for 8 bit content.
You will have to buy new UHD disks of the same titles all over again to enjoy your new HDR Tentpole Grading 6P Projector (i will explain that term in the coming months)....
On the subject of my perceived superiority of 6p projectors for 2D as well, as able to deliver without any contrast enhancement about 75% of the "Endorphin Payload" of a First time Dolby Cinema experience in a room with > 75,000-1 room contrast.
Here is some pioneering parties subjective early intel on the phenomenon's going on that are easy to grasp in 3 seconds of exposure.
STATEMENTS BY CINEMECCANICA REINFORCING MY 6P SENTIMENTS AS BEING 75% OF DOLBY VISION.
With the RGB primaries, the retrofitted projectors are capable of delivering an image that is very close to Rec 2020 compliance. However, for theatrical content, the projector needs to be calibrated to the smaller DCI color standard.
“What we are seeing is that even though instruments say the RGB primaries and white point are identical on the RGB laser and equivalent Xenon projector, the images look different”, explained Lorenzo Branca, Cinemecanicca’s Technical Director. “While the contrast is the same after the laser retrofit, the uniformity of brightness is much better – over 93% from center to edge. This may explain part of the phenomenon but there are other subtle human visual system effects going on as well that instruments don’t measure”.
New Mantra:"Available Dynamic Range Is Your Friend " This applies to Immersive Audio and Projectors!
Forget about expanding the dynamic range automatically or even in grading suites for 8 bit content.
You will have to buy new UHD disks of the same titles all over again to enjoy your new HDR Tentpole Grading 6P Projector (i will explain that term in the coming months)....
On the subject of my perceived superiority of 6p projectors for 2D as well, as able to deliver without any contrast enhancement about 75% of the "Endorphin Payload" of a First time Dolby Cinema experience in a room with > 75,000-1 room contrast.
Here is some pioneering parties subjective early intel on the phenomenon's going on that are easy to grasp in 3 seconds of exposure.
STATEMENTS BY CINEMECCANICA REINFORCING MY 6P SENTIMENTS AS BEING 75% OF DOLBY VISION.
With the RGB primaries, the retrofitted projectors are capable of delivering an image that is very close to Rec 2020 compliance. However, for theatrical content, the projector needs to be calibrated to the smaller DCI color standard.
“What we are seeing is that even though instruments say the RGB primaries and white point are identical on the RGB laser and equivalent Xenon projector, the images look different”, explained Lorenzo Branca, Cinemecanicca’s Technical Director. “While the contrast is the same after the laser retrofit, the uniformity of brightness is much better – over 93% from center to edge. This may explain part of the phenomenon but there are other subtle human visual system effects going on as well that instruments don’t measure”.
Comment