The business concerned is Eclair Cinema SAS. According to the European specialist in digital technologies for the film industry, this 'decision aims to contribute to a return to profitability for the Eclair business unit and to secure the Group's future activities'. As Eclair Cinema represented 5.5% of Ymagis Group's revenue for the first half of 2018 but almost all losses recorded over this same period. In 2017, the subsidiary generated revenue totalling €12.4M.
Eclair Cinema mainly focuses on the French market in the post-production and restoration sectors, activities which are severely affected by: (i) fierce competition, (ii) shrinking markets in terms of volume and value, and (iii) the announced decline in restoration project financing by public bodies.
The wider Eclair business unit, eaving behind its French restoration activities, concentrate its efforts and investments on its adaptation activities (subtitling, dubbing), digital distribution, preservation and content delivery to cinemas (films, live events, etc.) and on the digitalisation of its services. The implementation this year of the EclairTrack and EclairPlay platforms which use the EclairBox and EclairExpress technological solutions are the first positive results of this policy, which will continue in the coming weeks with new platforms for rights-holders being brought to market (EclairSend, EclairScreener and EclairStore, among others).
Eclair Color, the company's HDR for Cinema service is not mentioned, it clearly must be of limited impact, sofar.
Subject to the decision of the Commercial Court of Nanterre , Eclair Cinema plans to implement a thorough restructuring of its activities, refocusing them towards specialisation in an innovative service offer for creative teams and post-production laboratories, and adjusting its production capacities in restoration. It reflects the Group's determination to steer its activities towards promising sectors and profit margin contributors.
Eclair Cinema mainly focuses on the French market in the post-production and restoration sectors, activities which are severely affected by: (i) fierce competition, (ii) shrinking markets in terms of volume and value, and (iii) the announced decline in restoration project financing by public bodies.
The wider Eclair business unit, eaving behind its French restoration activities, concentrate its efforts and investments on its adaptation activities (subtitling, dubbing), digital distribution, preservation and content delivery to cinemas (films, live events, etc.) and on the digitalisation of its services. The implementation this year of the EclairTrack and EclairPlay platforms which use the EclairBox and EclairExpress technological solutions are the first positive results of this policy, which will continue in the coming weeks with new platforms for rights-holders being brought to market (EclairSend, EclairScreener and EclairStore, among others).
Eclair Color, the company's HDR for Cinema service is not mentioned, it clearly must be of limited impact, sofar.
Subject to the decision of the Commercial Court of Nanterre , Eclair Cinema plans to implement a thorough restructuring of its activities, refocusing them towards specialisation in an innovative service offer for creative teams and post-production laboratories, and adjusting its production capacities in restoration. It reflects the Group's determination to steer its activities towards promising sectors and profit margin contributors.
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